A versatile large-diaphragm condenser microphone with smooth sound and exceptional feedback rejection. A clean & flexible workhorse for close-to-medium distance applications on stage and in studio.

A large-diaphragm condenser microphone with a clean spring-suspended aesthetic. Bright harmonics & presence for medium-to-long distance applications. Ideal for small acoustic ensembles. The quintessential bluegrass mic.

A large-diaphragm condenser microphone with a spring suspended retro-inspired design. Warm & smooth midrange for medium-to-long distance applications. Ideal for single-micing small acoustic ensembles.

Specifically designed for the upright bass, this mountable large-diaphragm condenser microphone is tuned for the most natural possible live bass sound.

Sounds just like the Myrtle, looks like the Edwina, with a snappy brass bracket to set it apart. Warm & smooth midrange for medium-to-long distance applications in a compact body. Ideal for duos and small acoustic ensembles, on stage and in studio.

A top-of-the-line multi-pattern studio condenser microphone. Distinctive industrial styling, pivoting head, and full, smooth sound for demanding recording sources like acoustic instruments, drum overheads, and vocals.

A large-diaphragm condenser microphone with a spring-suspension design and elegant copper ring. Bright harmonics & presence for medium-to-long distance applications. Ideal for small acoustic ensembles, on stage and in studio.

An end-address large-diaphragm condenser with a flexible pivoting body. Inbuilt pop filtering and exceptional feedback rejection make this an ideal close vocal mic for loud bands and noisy venues.

A side-address small diaphragm condenser microphone for accurate and detailed spot micing. Retro-industrial styling, good feedback rejection. Effective for live or studio use.

A large diaphragm ORTF stereo microphone with a visually striking two-headed design, both practical and impressive,